Hans Holbein
German 1497-1543 Hans Holbein Galleries Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived. David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians. A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.

   7 8 9 10 11 12 13 14 15 16  
 
 Prev Artist   Next Artist 

Hans Holbein Ms. Gaierfude oil painting


Ms. Gaierfude
mk252 oak panel painting 80 x 65 cm in 1527
Painting ID::  57100
Hans Holbein
Ms. Gaierfude
mk252 oak panel painting 80 x 65 cm in 1527
   
   
     

Hans Holbein Weilianwoer portrait classes oil painting


Weilianwoer portrait classes
mk252 oak panel painting 82 x 67 cm in 1527
Painting ID::  57101
Hans Holbein
Weilianwoer portrait classes
mk252 oak panel painting 82 x 67 cm in 1527
   
   
     

Hans Holbein The artist s wife abuse oil painting


The artist s wife abuse
mk252 paper board painting 77 x 64 cm
Painting ID::  57102
Hans Holbein
The artist s wife abuse
mk252 paper board painting 77 x 64 cm
   
   
     

Hans Holbein The Last Supper oil painting


The Last Supper
mk252 Oil on canvas 144 x 155 cm
Painting ID::  57103
Hans Holbein
The Last Supper
mk252 Oil on canvas 144 x 155 cm
   
   
     

Hans Holbein Olive Hill, Christian oil painting


Olive Hill, Christian
mk252 Oil on canvas 135 x 132 cm
Painting ID::  57104
Hans Holbein
Olive Hill, Christian
mk252 Oil on canvas 135 x 132 cm
   
   
     

         7  8  9  10  11  12  13  14  15  16   
Prev Artist       Next Artist     

     Hans Holbein
     German 1497-1543 Hans Holbein Galleries Holbein always made highly detailed pencil drawings of his portrait subjects, often supplemented with ink and colored chalk. The drawings emphasize facial detail and usually did not include the hands; clothing was only indicated schematically. The outlines of these drawings were then transferred onto the support for the final painting using tiny holes in the paper through which powdered charcoal was transmitted; in later years Holbein used a kind of carbon paper. The final paintings thus had the same scale as the original drawings. Although the drawings were made as studies for paintings, they stand on their own as independent, finely wrought works of art. How many portraits have been lost can be seen from Holbein's book (nearly all pages in the Royal Collection) containing preparatory drawings for portraits - of eighty-five drawings, only a handful have surviving Holbein paintings, though often copies have survived. David Hockney has speculated in the Hockney-Falco thesis that Holbein used a concave mirror to project an image of the subject onto the drawing surface. The image was then traced. However this thesis has not met with general acceptance from art historians. A subtle ability to render character may be noted in Holbein's work, as can be seen in his portraits of Thomas Cromwell, Desiderius Erasmus, and Henry VIII. The end results are convincing as definitive images of the subjects' appearance and personality.

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team